Canadian experimental heavy music force Post Death Soundtrack announces new double album; »Barren Mother Of All« arriving on July 14th!
Vancouver, Canada based alternative/industrial/doom/post-punk act Post Death Soundtrack has announced new double album, »Barren Mother Of All«, which will be released on July 14th, 2026.
Tracklist:
01. Queen Bee
02. Bitches Brew
03. No Loss (feat. J’moris)
04. Red Robin
05. Eve Of Disaster
06. Chaos, My Love
07. Looking Down The Barrel Of A Gun (Beastie Boys Cover)
08. Peter Peter Pumpkin Eater
09. The Truth Is Wild
10. Baby Magpies
11. Mr. Wolf
12. Wicked Ways
13. One And Onely, Oh So Lonely
14. District 8
15. To Bring You My Love
16. Tommy And Sally
17. We Could Crawl
18. Playing Shadow
19. Not To Touch The Earth (The Doors)
20. Crawling King Snake (Live)
21. White Dove
22. The Ocean Doesn’t Want Me Today (Tom Waits Cover)
23. Crimson Hand (Live Version)
24. Settle For Nothing (RATM Cover)
25. Flood In My Wrist
26. Truth Is In Demand
27. Chocoate Jesus (Tom Waits)
28. Electric Light (PJ Harvey Cover)
29. Long Snake Moan (PJ Harvey Cover)
30. Death Is Ripe
31. My True Face (Bonus Track)
32. A Clearing, Pig’s Head
33. Off White (Bonus Track)
34. Trishula Of Shiva
35. Phantasm (Bonus Track)
Courtesy of Metal Devastation PR:
Canadian experimental heavy music force Post Death Soundtrack returns with a massive new statement in the form of a double album, »Barren Mother Of All«, releasing July 14, 2026. The record continues the project’s reputation for pushing far beyond genre lines while digging deeper into themes that are as heavy as the sound itself.
This release marks the third chapter in a trilogy of 30-song works, following »Grist« and »In All My Nightmares I Am Alone«. Across all three records, the project has carved out a distinct space where industrial noise, post-punk tension, darkwave atmosphere, doom weight, and dystopian psychedelia all collide without asking permission.
A DESCENT INTO THE VOID
»Barren Mother Of All« does not play it safe. It leans hard into uncomfortable territory, exploring collapse, addiction, trauma, spiritual crisis, and the uneasy condition of modern existence. The album title itself draws from philosophical inspiration tied to Nisargadatta Maharaj, whose concept of existence as “the child of a barren woman” helped shape the record’s central identity.
This is music built for confrontation, not comfort.
Sonically, the album pulls from industrial grit, witch house haze, gothic rock drama, post-punk edge, noise abrasion, 80s horror soundtrack tension, and a distorted sense of melody that keeps everything just barely balanced on the edge of chaos.
As creator Stephen James Moore puts it in spirit, this is not a filtered version of reality. It is the raw feed.
TRACKLIST HIGHLIGHTS AND COVER VARIETY
Spanning 35 tracks, the album moves through short shocks, sprawling cuts, and reinterpretations of iconic material, including covers of Beastie Boys – »Looking Down The Barrel Of A Gun«, Tom Waits – »The Ocean Doesn’t Want Me Today«, PJ Harvey – »Long Snake Moan«, and Rage Against The Machine – »Settle For Nothing«, all filtered through the project’s bleak and experimental lens.
Original cuts like »Queen Bee, »No Loss«, »Red Robin«, »Chaos, My Love«, and »Truth Is In Demand« sit alongside live recordings, bonus tracks, and fragmented pieces that feel intentionally unstable, like transmissions from a collapsing signal.
COMMUNITY REACTION
Early listener responses across the music community have already started forming a split conversation, ranging from praise for its darkwave authenticity and 2000s underground atmosphere to debate around lyrical content and intensity.
Some listeners are calling it a return to true underground dark aesthetics, while others admit the record is intentionally difficult to fully decode on first listen. That tension seems to be exactly the point.
A PROJECT BUILT ON CONSTANT EVOLUTION
Post Death Soundtrack continues to operate as a constantly shifting outlet for heavy ideas and heavier sound design. The project blends philosophy, emotional extremity, and experimental production into a catalog that refuses to sit still long enough to be categorized cleanly.
This new double album pushes that identity even further, embracing discomfort, distortion, and artistic risk as core principles rather than side effects.
All music and lyrics by Stephen James Moore.
This is not background music. This is confrontation music. Built loud, built strange, and built to linger long after it stops playing.
Stream and purchase here: postdeathsoundtrack.bandcamp.com
Bojan Bidovc // music enthusiast, promoter, misanthrop and sometimes a journalist as well