Ken Wohlrob (Northern Heretic, End Of Hope, ex-Eternal Black) releases new ambient/drone/post-rock single »The Conclusion«

New York’s music veteran Ken Wohlrob (Northern Heretic, End Of Hope, ex-Eternal Black) has just released his third solo single »The Conclusion« on February 14th, 2025 via Obsidian Sky Records.

»The Conclusion« is available now on all major streaming platforms!

Courtesy of Obsidian Sky Records:

“A haunting cinematic theme…This song is more about mood and melody than relying on riffs.” – Outlaws Of The Sun

What is minimalism when it comes to music? Can a song with 10 different instrument layers be considered minimalist? Steve Reich’s »Music For 18 Musicians« is considered a minimalist masterpiece, but it’s written for 18 musicians, a large ensemble. So, is it still minimalist if you have 18 musicians all hammering on the same chord at the same time? Is there some cranky old man out there who shouts “Judas!” at Steve Reich because he chose to work with large ensembles instead of just a single swinging microphone and an amp speaker?

This is what I struggled with when creating »The Conclusion«. But I was not in control, the idea was.

David Lynch was right. We don’t create ideas. We catch them like fish. »The Conclusion« began on an early morning in Asheville, North Carolina, while I tinkered away on a Prophet synthesizer app on my iPad. It was something, but I didn’t know what yet. Months later, the original Prophet synth line became a B3 organ part. Suddenly, there was a solemnity to the idea. If you know me, solemn I ain’t. But the idea was dragging me along. A tenacious vibrating bass rhythm, followed by signals from somewhere. Images from the final scenes of Jim Jarmusch’s »Dead Man« (a very solemn ending indeed) in my head. And then from nowhere, a counter melody. Why the frick would I add that? The idea said, “Put it in there!” So I did. And suddenly, it was all there, all these layers intertwining, working together as the piece kept building. Eventually, the idea said, “Enough.” It seemed right. But was this still minimalism? Was it too much? Had I gone from soundscape into song? To be honest, I still don’t know. The final version is something I never would have created before. This was some new territory. In that lies the victory. You can tell me whether it works or not.

Performed and produced by Ken Wohlrob.
Recorded at Quatre Cagne, Mohegan Lake, NY (August, November and December 2024).

Bojan Bidovc // music enthusiast, promoter, misanthrop and sometimes a journalist as well