Doomed Nation

Sounds For The Lost Generation

New York atmospheric doom metal band Witnesses released their new full-length album »Joy«

New York atmospheric doom metal band Witnesses presents their new full-length album, entitled »Joy«, which was just released this Friday, November 8th, 2024.

Tracklist:
01. Joy (Like A River)
02. Joy (I See Everything)
03. Joy (Beyond The Sound Of My Voice)
04. Interlude
05. Joy (The Endings)
06. Joy (Safety In Me)

Courtesy of C Squared Music:

NYC’s Witnesses incorporates a highly textural combination of powerful metal rhythms, progressive leads, intricate melodies, and emotive vocals, into their atmospheric sound. »Joy«, Witnesses’ new doom metal album, focuses on themes of spiritual and intellectual freedom, traversed through enthralling arrangements and enveloping shrouds of vast and intense soundscapes. »Joy« is set to make waves on November 8th, 2024.

Witnesses comments on »Joy«: “»Joy« is the culmination of over five years honing a vision – of doom metal with a heavy emphasis on atmosphere and lyrics rich in imagery & narrative. Where interwoven guitar harmonies draw continued influence from 1990s British doom, complemented by soaring vocals and often mid-paced rhythms. And though the end result has been referred to by many writers as ‘post’, that’s no problem; rather, it is a testament to a sound that probably doesn’t fit neatly into any one category. But suffice to say there would be no Witnesses without the inspiration of those early Peaceville Records. And that spirit is alive and well on »Joy«.

As an album, »Joy« reaches its slowest dirge at 45 BPM in »Joy (Like A River)«. It regularly picks up with midpace groove (especially in »Joy (Beyond The Sound Of My Voice)«); all songs shift in mood this way. Subtle key and tempo changes are used with intent. Keyboards and live strings (by Arianna Mahsayeh) are also employed very sparingly to dramatic effect. Simon Bibby gives voice to five deeply contradictory compositions about self-actualization. Thunderous fills by Angel Hernandez cut through the mix to announce changes and provide critical percussive accents.

The production is organic. Drums are forward and vocals are aggressively multi-tracked for width and depth. Guitar harmonies are often soaked with reverb to enrich the sense of space. This is the first album to incorporate live drums and strings since debut To disappear and to be nothing, a very welcome return.”

Purchase the album here: witnesses-nyc.bandcamp.com/album/joy

About Witnesses:
NYC-based Witnesses was established in 2016 with the release of the haunting cinematic ambient »I«. By 2019, the project had already expanded into new territory with »To Disappear And To Be Nothing« – a deeply personal album that drew influence from classic British doom metal, but with elements often described by fans and writers as post-metal. Since then, Witnesses has continued down this mainly two-track approach of ambient and metal releases, with ambient follow ups »II«, »III«, and »IV«, and doom full-length albums »Doom II« and »The Collapse« (2021’s »Poltergeists I« was a detour into barren, acoustic-driven minimalism). Thematically, Witnesses alternates between stories and introspective lyrics, sometimes blending the two together.

Witnesses is:
Greg Schwan – Guitar, Bass Guitar, Keys, Lyrics
Simon Bibby – Vocals
Angel Hernandez – Drums

Guests:
Additional guitar on »Joy (Like A River)« by Matt Kozar
Cello on »Joy (Like A River)« by Arianna Mahsayeh
Vocals on »Joy (Safety In Me)« by Gabbi Coenen

Credits:
Mastering by Erik Peabody
Mixing by Greg Schwan
Art by Welder Wings
Design by Andreas Levers

Bojan Bidovc // music enthusiast, promoter, misanthrop and sometimes a journalist as well

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