Swedish heavy rockers Besvärjelsen unveil video single »Didn’t Come To Party« & details of new album »Till Glömskan Ad Oblivionem«!
Stockholm, Sweden based heavy rockers Besvärjelsen premiere a music video for the first single »Didn’t Come To Party« taken from their upcoming full-length album, »Till Glömskan Ad Oblivionem«, set to release on August 28th, 2026 via Magnetic Eye Records.
Tracklist:
01. The Greatest Sin
02. Accelerating Hearts
03. Battles
04. Counting Flies
05. Drifters On A Quiet Stream
06. The Mountain
07. Pulse
08. Interlude
09. Didn’t Come To Party
10. Black Wave
11. Oblivion
Courtesy of All Noir PR:
Swedish forest rockers Besvärjelsen drop the first advance single from their third album »Till Glömskan Ad Oblivionem« (Swedish and Latin for: “Into Oblivion”), accompanied by a slightly disturbing music video »Didn’t Come To Party« about that guy, the one nobody ever wants at their social gathering.
»Till Glömskan Ad Oblivionem« is scheduled for release on August 28, 2026, via Magnetic Eye Records. The album is available for pre-order HERE.
Besvärjelsen comment: “There’s a scene in the Titanic movie that has always stayed with me, when the musicians keep playing as everything falls apart around them,” vocalist Lea Amling Alazam muses. “This is one of my all-time favorite moments in cinema, because it captures something important about music: the devotion, the need to create, and to hold onto something beautiful, even in the face of disaster. Like, we’re literally going under, but hey, let’s play. Dance to the sirens. In this day and age, it’s hard not to be affected by the chaos of the world. »Didn’t Come To Party« is not a political statement but rather a cry of frustration. We’re living on this incredible planet, so why are we destroying it? Why war, why poverty, why harm the most vulnerable, when we have the resources to make life better for everyone? This quite reminds me of people who show up to parties just to ruin it for everyone else. Why is there such a drive to hurt, to dominate, to tear things apart in the pursuit of power? It’s senseless.”
Swedes are supposed to be cool, and musically, Besvärjelsen sure live up to that stereotype in the best possible way. What the self-proclaimed forest rockers deliver on their third full-length »Till Glömskan Ad Oblivionem« is so cool, in fact, that it’s a hot early candidate for rock album of the year.
The ‘forest rock’ moniker is the Swedes’ tongue-in-cheek answer to the term ‘desert rock’, which stylistically provides a great starting point to describe their particular musical brand. Being surrounded not by an abundance of sand but trees in their home province of Dalarna, it was also an obvious choice. On »Till Glömskan Ad Oblivionem«, Besvärjelsen keep a profound punk-infused attitude, but have broadened their sound with a wide variety of sonic colours including blues, ska, metal, jazz and everything around and in between as long as it fits the mood of the song.
Add exceptional vocalist Lea Amling Alazam, who developed her passion for punk and stoner rock at the local skate park when she was just 13 years old, to the band’s plethora of riveting hooks and riffs, and you get an album that feels fresh and ready to deliver surprises for months if not years to come. If there is any justice, »Till Glömskan Ad Oblivionem« should make Besvärjelsen as famous as the iconic wooden Dala horses that every tourist who visits the country takes home to put on their shelves.
That Besvärjelsen were on the road to greatness became apparent on their previous album, »Atlas« (2022). This record received the prestigious Swedish Manifestgalan Award for “Metal Album of the Year” by the Swedish Independent Music Producers and partners, which crowned a string of excellent reviews around the globe.
Besvärjelsen were co-founded by guitarists and vocalists Andreas Bajer and Staffan Vinrot in 2014. Their musical vision was based on the idea to channel the spirit and traditions of the vast Dalarna forests into a contemporary urban context. On this ancient crossroads of Norse and Finnish cultures, the echoes of runes and gods, shamans and spirits still linger. While drawing heavy inspiration from local lore, mysticism, and the dark, old musical traditions of their homeland, the band name was found in the old Swedish word for “conjuring”: Besvärjelsen.
While the band’s story has its roots in the past of the land, the present came boldly knocking to demand its due. With the discovery of Lea Amling Alazam and her captivating vocals, the plot took a fascinating twist: She had grown up with her feet in more than one world. Accordingly, the charismatic singer added a fresh approach by embracing melodies and phrases of the grunge and emo sounds that defined her youth as well as African and Middle Eastern music with characteristic bluesy undertones.
In 2015, Besvärjelsen released their debut EP »Villfarelser«, followed by the »Exil« EP in 2016. At the time, former Dozer and Greenleaf drummer Erik Bäckwall joined the line-up as a permanent member. Although both EPs were self-financed and released with minimal promotion, they ended up well-received, and even got airplay on Swedish national radio.
The Swedes’ debut full-length »Vallmo« (2018) merged crushing riffs and storming drums with increasingly sophisticated melodies and thoughtful themes, even earning the band a festival slot opening for Deep Purple. This paved the way for Besvärjelsen to record their sophomore album »Atlas« with producer and drummer Karl Daniel Lidén (Greenleaf, Dozer, Crippled Black Phoenix) in 2021.
With »Till Glömskan Ad Oblivionem«, Besvärjelsen have conjured ‘Into Oblivion’ twice, in both Swedish and Latin, but the spellbinding five-piece also deliver a cathartic rock album that will rank among the finest heavy releases of the genre and beyond in 2026.
Recorded by Andreas Baier & Marcus Lindqvist at Glashuset, Ludvika (SE).
Mix & mastering by Karl Daniel Lidén at Tri-Lamb Audio Studios, Solna (SE).
Cover art by Björn Olars.
Layout by Erik Bäckwall.
Line-up
Lea Amling Alazam – Vocals
Staffan Vinrot – Guitars, Vocals (& Accordion, Violin, Keys, Keyed Fiddle)
Andreas Bajer – Guitars, Vocals
Erik Bäckwall – Drums
Marcus Lindqvist – Bass
Guest musicians:
Fred Burman (Satan Takes A Holiday) – Lead & Backing Vocals on »Accelerating Hearts« & Backing Vocals on »Didn’t Come To Party«
Pelle Andersson (Lowrider) – Organ on »Black Wave«
Bojan Bidovc // music enthusiast, promoter, misanthrop and sometimes a journalist as well