American sludge/doom/industrial metal band LungBurner unleash new full-length album »Dogma« today on Terminus Hate City; watch new music video for »Adamu«!
Atlanta, Georgia based sludge/doom/industrial metal band LungBurner celebrates the release of their third full-length album »Dogma« with a brand new music video for opening track »Adamu«.
LungBurner’s new album »Dogma« was just released today, April 17th, 2026 via Terminus Hate City.
Tracklist:
01. Adamu
02. Rapture
03. The Sin Of Defiance
04. (Bhajan) The Fall
05. Apostasy
06. Misery
07. Pistus Sophia
Courtesy of C Squared Music:
Atlanta heavy music collective LungBurner have released their new video for »Adamu« alongside their third full-length album »Dogma«, available now through Terminus Hate City Records HERE.
Written throughout 2025 and recorded, produced, engineered, mixed, and mastered entirely by the band, »Dogma« captures LungBurner expanding their sonic identity while deepening the conceptual and emotional scope of their music. Across seven tracks and just over forty minutes, the album blends southern sludge weight with progressive composition, atmospheric electronics, and evolving melodic structures.
Conceptually, »Dogma« explores the psychological and spiritual consequences of entrenched belief systems. Drawing from mythology, philosophy, and personal reflection, the album examines how inherited ideas about religion, culture, and identity shape human behavior and perception. Each composition approaches the subject from a different perspective, forming a continuous narrative that moves through awakening, rebellion, struggle, and eventual balance.
The album opens with »Adamu«, which begins with tribal percussion samples and a call to the fallen angel Lucifer before unfolding into a driving riff anchored by deep bass and aggressive vocal delivery. The title references the Babylonian concept of the first man and frames the song’s exploration of humanity’s emergence into self awareness and the uneasy realization of one’s place within larger systems of belief and structure.
Photos by Aleksandra Anderberg
»Rapture« follows with rapid guitar work and heavy rhythmic intensity, incorporating elements of modern metal alongside the band’s established low tuned foundation. The song shifts between melodic passages and driving grooves while examining the moment of personal realization that accompanies a rejection of inherited truths.
»The Sin Of Defiance« introduces a more melodic opening before transitioning between hypnotic bass movement and heavy guitar passages. The lyrics draw from experiences of discipline, hierarchy, and survival, reflecting on the tension between obedience and individuality within systems that demand absolute loyalty.
»(Bhajan) The Fall« marks a turning point in the album’s atmosphere. Beginning with the interlude »Bhajan«, a piece originally conceived many years earlier, the track introduces synthesizers as a prominent element and slows the pace into a meditative and weighty progression. The composition explores the disorientation that can accompany self realization, where clarity and fear coexist.
»Apostasy« begins with a spoken sample from philosopher Jiddu Krishnamurti addressing the dangers of institutionalized belief. The track channels tightly controlled aggression and rhythmic precision while expanding on the album’s central theme of breaking from inherited doctrine in pursuit of personal truth.
»Misery« continues the album’s exploration of inner conflict with one of its heaviest sonic moments. Featuring guitars tuned to an extremely low register and layered with samples and synthesizer textures, the song reflects on the necessity of confronting illusion and acknowledging reality without compromise.
The album closes with the nine minute composition »Pistus Sophia«, which unfolds gradually through evolving melodic passages and ritualistic atmosphere. The title references Sophia from Gnostic tradition, a figure representing wisdom and the balance of spiritual forces. The introduction features a spoken prayer to Lilith performed in Polish by Aleksandra Anderberg, whose visual artwork also provides the cover for »Dogma«. The track concludes the album by reflecting on the dual nature of spiritual experience and the search for equilibrium between opposing forces.
With its combination of crushing downtuned guitars, atmospheric electronics, and layered thematic content, »Dogma« presents LungBurner’s most focused and expansive work to date. The album stands as a meditation on belief, individuality, and the human struggle to define truth within systems that often demand unquestioning faith.
About LungBurner:
LungBurner is a heavy music collective based in Atlanta, Georgia, known for combining the weight of southern sludge with progressive composition, industrial atmosphere, and evolving melodic structures. Built around deeply downtuned guitars, layered samples and synthesizers, and rhythmically complex arrangements, the band’s sound draws from a wide spectrum of influences including YOB, High On Fire, Killing Joke, Nine Inch Nails, Prince, Slomatics, Opeth, Led Zeppelin, and Ministry.
Formed in Athens, Georgia in 2023, LungBurner quickly established momentum within the southeastern underground through a steady stream of releases and a growing live presence. Their debut album »Embers« arrived in early 2024, followed later that year by the sophomore album »Natura Duale«. Both releases introduced the band’s fusion of crushing heaviness, atmospheric experimentation, and philosophical lyrical themes.
The band continued to expand its reach throughout 2024 and 2025 with appearances at festivals including Tampa Doom and Gloom Fest, Gravitoid Heavy Music Doomfest, Seismic Fest, ATL Doom Fest, and Stoned Riff Revival. LungBurner also completed the Fall Into Darkness Tour alongside False Gods and shared the stage with Baroness in Atlanta on New Year’s Eve 2025. Recognition from the heavy music press followed, including Rob Hammer BOTY 2024, placement in the Weedian Top 100, inclusion in the Monster Riff Top 75, and a position at number 32 on the Doom Charts.
Beyond the band’s musical identity, the members of LungBurner come from diverse backgrounds outside the traditional doom and sludge scenes. All members work professionally in engineering disciplines and none of them originally came from doom or stoner rock bands. Their approach to heavy music developed organically from a shared interest in tone, atmosphere, and structure, resulting in a sound that balances crushing heaviness with dynamic composition.
LungBurner currently features Jens Anderberg on guitar and lead vocals, Joseph Mills on guitar and backing vocals, and Joshua Broughton on bass. The band continues to evolve its sound while expanding its presence across the underground heavy music landscape.
LungBurner is:
Jens Anderberg – Guitar, Lead Vocals
Joseph Mills – Guitar, Backup Vocals
Joshua Broughton – Bass
Kevin Welborn – Drums
Bojan Bidovc // music enthusiast, promoter, misanthrop and sometimes a journalist as well