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Sounds For The Lost Generation

Los Angeles heavy rockers Deathchant announce new full-length album »Thrones« and premiere a music video for the first single »Mirror«!

Los Angeles, California based heavy rockers Deathchant have announced their third full-length album, »Thrones«, which will see the light on October 13th, 2023 via RidingEasy Records.

Watch a music video for the album’s first single »Mirror« below!

01. Canyon
02. Thrones
03. Mirror
04. Mother Mary
05. Chariot
06. Hoax
07. Earth
08. Tomb

Says the band: “Today is the day! We’re dropping the first single & music video for »Mirror« off our third full-length titled »Thrones«…

Pre-sale for »Thrones« goes live at 10am (PT) on RidingEasy Records. We’ll announce dates for album support tours also so tune in! Scope our Spotify to jam the new single and turn it the fuck up! Give us a follow there too to stay in the loop!”

Courtesy of RidingEasy Records:

“This is definitely the most honest and mature record Deathchant has ever made.”

That’s Deathchant vocalist and guitarist T.J. Lemieux talking about the band’s third and latest album, »Thrones«. Think of it as not just the follow-up to 2021’s »Waste«, but the other side of the coin. “While »Waste« and our self-titled album touched on similar themes, they were sort of from a problem standpoint,” he explains. “»Thrones« is full of reflection, self-realization, and solutions for moving forward and conquering those problems.”

Which isn’t to say that Deathchant have gone soft. Far from it, dude. In fact, »Thrones« just might be their heaviest record thus far. The band’s seamless swirl of classic rock guitar harmonies, syrupy sludge, blues boogie and psych bombast has reached a thrilling new apex as Lemieux spins high-powered tales of reckoning from beyond the wall of sanity.

Thematically, Lemieux and his bandmates – bassist George Camacho, guitarist Doug Stuckey and drummer Joe Herzog – peel back the veneer of self-delusion to expose the fork in the road. “»Thrones« is meant to represent things that rule you, things you worship, things you rely on or think you need,” Lemieux says. “Sometimes those things make you feel in control, safe, on top of the world like you’re in power – which over time often proves untrue.”

Photo by Olivia Jaffe

Witness lead single »Mirror«: Kicking off with gleaming Lizzy-isms, the song rumbles into a thick groove overlaid with lysergic fireworks that conjure the shaggy European movers of decades past. “»Mirror« is the key to the whole »Thrones« theme,” Lemieux explains. “It’s about looking inward to realize what’s ruling you, what’s consuming you, and how delusional you’ve been about those things. Your sense of self is so damn important, and fully facing your truths is not an easy thing to do. It’s admitting that you’ve intentionally dulled and quieted your mind to distract, avoid and run from yourself, from memory, from loss and truth. At some point, you have to face that shit.”

The languid and dreamy »Mother Mary« is also crucial to »Thrones«’ trajectory. “If the album was a book, »Mirror« would be the first chapter and »Mother Mary« would be the last chapter, though they’re not the first and last track for sonic reasons,” Lemieux explains. “»Mirror« is saying, ‘I’m looking inward because some things need to change,’ while »Mother Mary« is saying, ‘Okay, things are fucked and have gone way too far but now we have this understanding – and acknowledging things is key to overcoming.’”

»Thrones« was recorded live in a cabin in the remote mountain community of Frazier Park, CA, with trusty engineer Steve Schroeder (a.k.a. Schroeds). “We moved in for a week, rehearsed a bit and went for it,” Lemieux says. “Each tune got three or so takes, but we nailed »Mother Mary« and »Canyon« right away.” Overdubs were done at the cabin, Schroeder’s Studio 3, and Lemieux’s place. The album was produced by Lemieux and Schroeder.

“Overall, it’s a pretty dark record,” Lemieux says. “It’s serious and leans into heavy themes, sometimes using metaphor and imagery to soften those blows, but sometimes it hits direct. It’s positive, though – and cathartic. Forever riding on the line of total insanity and flirting with mental degradation. It’s our most realized and ambitious record to date.”

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Bojan Bidovc // music enthusiast, promoter, misanthrop and sometimes a journalist as well

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